Compose 3D terrain and city shots

Enable terrain or 3D buildings, then use pitch and orbit to reveal the subject clearly.

A 3D shot needs more than a tilted map. Everest needs a clear summit and surrounding ridges; the Empire State Building needs its body and spire in frame. Map data, zoom, and pitch all affect the result.

Watch the result

Mount Everest — Terrain · Play the finished example. The steps below teach a similar workflow, not an exact reconstruction of its settings. This map example has no narration. Open video

The actual Mount Everest Studio project: edit actions on the left, preview the map in the center, and arrange timing below. This is an example copy; blank projects do not show Change places.

1. Choose the right map effect

Open Map style and choose terrain or buildings under 3D enhancements. Use Terrain 3D for mountains and Buildings 3D for cities. This terrain example uses Flat map; switch to a non-terrain basemap for globe shots.

Try this step in Studio

1.1 Scroll to 3D enhancements and select Terrain 3D. Buildings 3D beside it is for city buildings.

Mount Everest project: The 3D enhancements at the bottom of Map style. Terrain 3D is selected, beside Buildings 3D.

1.2 Confirm the projection in Map settings. This example uses Flat map; review its terrain and camera effect.

Mount Everest project: This terrain example uses Flat map in Map settings.

Check: Ridges show elevation, or buildings appear as three-dimensional volumes.

2. Locate the subject before adjusting pitch

Search for Everest or the building and verify its position. Begin with a moderate pitch, then adjust zoom. Buildings require a sufficiently close zoom and suitable map data; check both if they do not appear.

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2.1 Verify Mount Everest in the action target and choose Place / close-up rather than an overly broad area.

Mount Everest project: The orbit targets Mount Everest using Place / close-up framing.

2.2 Open Tilt on the right. This example uses 58°; begin more gently and check that the summit stays in frame.

Mount Everest project: The tilt panel provides a pitch slider and Top-down view. This example is at 58°.

Check: The subject is in frame and its summit or roof is not clipped.

3. Reveal depth with a restrained orbit

Add an orbit around the same target. Start with a modest angle over roughly five seconds and watch the full result. A fast or excessive orbit can push a mountain or building out of frame.

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3.1 Select Orbit and inspect rotation, zoom, and pitch. This example rotates 25° at zoom about 12.95.

Mount Everest project: The orbit rotates 25°, with zoom about 12.95 and pitch 58°. Adjust these for your own terrain.

3.2 Adjust orbit speed through its timing. This example starts at 4.5 seconds and lasts 5.5 seconds, ending at 10.

Mount Everest project: The orbit starts at 4.5 seconds and lasts 5.5 seconds, ending at 10 seconds.

Check: The subject remains visible at the beginning, middle, and end of the orbit.

4. Review loaded detail before exporting

Wait for map tiles and terrain detail to appear before judging sharpness. Review the entire move and final frame before export. Resolve blank areas, blurred patches, or loading errors instead of treating an unfinished preview as the final result.

Try this step in Studio

4.1 Play the full sequence and inspect the ending: summit, marker, and terrain should stay clear throughout.

Mount Everest project: Review the actual terrain, summit position, and final composition after full playback.

Check: The subject is clear throughout the orbit, with time to inspect the ending.

Make your own version

Replace the example with a city you know, finish a short sequence, and review it end to end. Make one clear story before adding more effects.

Practice in Studio